ABOUT
ABOUT
Premiered in June 2018 in P.A.F - Performing Art Festival Berlin
video shot by © Nina Cavalcanti
Medusas
A research on women's anger, its bodily expressions and the practice of re-appropriation in a choreographic context.
"By writing her self, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display. Censor the body and you censor breath and speech at the same time.
Write your self. Your body must be heard."
from "The Laugh of the Medusa" by Helene Cixous
In this research, my initial aim was to explore the feeling of anger on a personal, but also on a political level.
Anger is a very useful feeling when it comes to defending ourselves and our boundaries. It's a great tool to recognize injustice and produce change. But anger is also a very gendered feeling: a female body who expresses anger is perceived differently from a male body doing the same.
The representations of angry women in our collective imagination, in mythology, in fairy tales and stories have a negative connotation: an angry woman is hysterical, emotional, crazy, ugly, monstrous.
Stories are powerful tools to transmit knowledge and ideas. Stories travel from generation to generation, forming images in our minds that are hard to change, if we don't question them.
How can we defend ourselves, our boundaries and recognize injustices if we suppress anger?
The necessity to re-appropriate of anger is stronger than ever.
BODILY RESEARCH:
EXPRESSIONS AND SUPPRESSIONS OF ANGER / CREATION OF A MOVEMENT VOCABULARY
I investigated the bodily expressions (or suppressions) of anger: breathing and holding the breath, stomping, throwing, screaming, hiding, ruminating, suffocating, lamenting. By embodying those expressions (through repetition, exaggeration, transformation) I created a movement vocabulary that helped me to connect to and to provoke the feeling of anger.
This practice allows me to re-appropriate of my anger.
Inspired by the myth of Medusa - and many recent re-tellings of it - I dived into Greek mythology. As we all know it, Medusa's myth tells about a woman transformed in a monster with snakes as hair, who can turn into stone whoever look into her eyes. But this is just one way of telling this story: a way that centers the hero and make of Medusa the monster to be killed.
In recent years, many scholars and authors re-wrote the myth centering Medusa as a powerful woman who can defend herself (not to forget is the meaning of the word Μέδουσα, Médousa which in Ancient Greek means "protectress", "keeper", from μέδω, médō, "protect").
As Medusa's myth, many other stories in Greek mythology tell about female figures that are too angry or too voracious, too ambitious or too wild, too skillful or too curious, too wise or too beautiful (i.e. Scylla, Charybdis, Aracne, the Sirens). Common thing is that they all deserve to be contained, punished and/or transformed into something other than human, something monstrous. Monstrous is not only the body, but also those very feelings, desires and behaviors that don't belong to femininity.
In those depictions the body is never fully human, parts of it are considered monstrous or belong to the animal kingdom or have supernatural powers: their full humanity is denied.
What interests me in this context is the display of the body in parts. Parts that instead of being the monstrous thing, become the protagonist and the hero of the story.
AESTHETIC RESEARCH:
MATERIAL
A material that I used throughout the whole research was plastic. Plastic contains, plastic suffocates, plastic defines, plastic pollutes, plastic is artificial, plastic is everywhere. Like those stories, like those beliefs of how a woman should be, like patriarchy.
The use of this material to transform the image of my body, to hide and reveal parts of it, as a tool to make sounds and to speak, was part of my research.
IMAGERY RESEARCH:
REPRESENTATIONS OF ANGRY FEMALE BODIES / MONSTROUSNESS
The output of this research was a series of short videos with the title MEDUSAS, shot in collaboration with the film-maker Nina Cavalcanti.
They were shown on 20th February 2022 in Mime Centrum Bethanien in Berlin during the event "Women, Witches and Monsters"